There are many surviving examples of unfinished 17th century portraits. Some were small-scale studies for larger compositions, others were begun but left in limbo waiting for either the sitter or painter to find the time (or the money) to complete them, while others remained on the easel when the painter died. These works are sometimes even more interesting than the completed article, as they give insight into the painter’s composition process and how he or she approached their task.
Van Dyck’s 1634/1635 work entitled “Magistrates of Brussels”, which depicted several magistrates in council, was destroyed during French bombardment of Brussels in 1695, but several head sketches survive, including the above which is in a private collection. (I know, it’s not strictly English portraiture, but I think Sir Anthony can have a free pass on this one!)
Anthony van Dyck, Princess Elizabeth and Princess Anne, 1637,
©Scottish National Portrait Gallery
In this beautiful double portrait,Van Dyck depicts two daughters of King Charles I and Henrietta Maria. This was a study for part of his 1637 work “The Five Eldest Children of King Charles I” (below), now in the Royal Collection.
Prince Rupert by William Dobson (private collection), begun in Oxford during the Royalist occupation of the 1640s, but remaining unfinished when the Prince left the city in early 1646.
Miniature of Oliver Cromwell, C.1650, by Samuel Cooper, private collection
20th Earl of Oxford (called’Aubrey de Vere, 1626-1703)
c.1656/1657, ©Dulwich Picture Gallery
Portrait of a Lady, probably Anne Hyde, Duchess of York (1637-1671)
Studio of Sir Peter Lely