Wet paint?

Here’s something a bit different. In 2011, this picture was sold at Christie’s in London, achieving the unremarkable price of £938.

shipwreck-picture

What is remarkable is the story of survival that apparently lies behind it. The sitters are unknown, but it was listed as a family portrait by someone of the English School in the 17th century. If you can’t read the inscription, it says:

‘This oil painting washed ashore at Rottingdean with other wreckage from the Australian Ship “Simla”, run down by the ship City of Lucknow, Feb 25th 1884.’

A quick internet search reveals that the Simla was on its way from London to Sydney when it collided with the City of Lucknow near The Needles on either December 25th 1883, or in January or February 1884. Reports differ as to the date. She sank off the Isle of Wight, with the loss of 20 crew, while  survivors were rescued  by the City of Lucknow and another steamer, named Guernsey.

We often wonder what stories an old painting can tell, hanging on a wall for centuries, silently watching history take place in front of it. What tales could this one tell? It not only saw history, it actively took part in it, travelling on a ship, perhaps being taken to a new home in Australia, when the vessel sank beneath it, and it drifted amongst other wreckage before being saved and brought ashore.

There are so many questions to answer. Who owned it at the time of the sinking, and why was it being taken so far across the sea?  Who are the family depicted? What date was it painted? What happened to the canvas after it was rescued, and where had it been prior to the sale in 2011?

The Christie’s auction page gives no further information than the above, apart from its size (12 7/8 x 22 1/8 in. / 32.7 x 56.2 cm) and that it is oil on panel.

It makes me wonder about other 17th century art that may not have been so lucky, attempting similar journeys to this one, but ending up at the bottom of the sea rather than on somebody’s wall. What is most moving, is that the painting may well be the only tangible reminder that this family even existed. Perhaps it held pride of place in their home, and was passed down through the generations as a precious heirloom. We may never know where it came from, or the names of the sitters,  but thanks to the watery rescue of a piece of canvas 200 years later, the memory of that one family was also kept alive.

Witness to an Execution

On 30th of January 1649, King Charles I of England stood on a temporary scaffold built outside the Banqueting House at Whitehall in London. He had been charged with treason by his enemies in Parliament, led by Oliver Cromwell, and now faced his own execution in front of a massed crowd in the street below.

The King’s death has been studied and discussed ever since, but it is not Charles that I wanted to look at on this sombre anniversary. Standing with him on the scaffold was the Bishop of London, William Juxon, who would become Archbishop of Canterbury at the Restoration in 1660. Juxon was respected and trusted by Charles I, who selected him to attend that day and administer the last rites.

There are a few known portraits of Juxon, although few that I’ve found are of high quality, or by known artists. Lambeth Palace has several, including the below from 1633, attributed only to the British (English) School:

juxon
Another, at the National Portrait Gallery in London, is said to be a copy of a 1640 original, both artists unknown:

juxon-2

Next is a copy after Van Dyck, from St John’s College, University of Oxford:

juxon-3

The final portrait, from the Captain Christie Crawfurd English Civil War Collection, has the curious attribution of ‘circle of Robert Walker’. I’m not convinced, but you can make up your own minds! Unlike all of the other portraits, which are oil on canvas, this one is oil on paper laid on panel, and as with most of the Christie Crawfurd Collection, no date is given.

juxon-4

Soon after the King’s death, Juxon was deprived of the bishopric by Cromwell, and went into retirement until recalled to public life by Charles II a decade later. He held the position of Archbishop of Canterbury until his death in 1663.

Neil Jeffares

Fairness, candour & curiosity – from finance to art history

NT Knole Conservation Team Blog

An insight into the weird and wonderful life of a National Trust Conservation Team at one of England's greatest houses.

Cryssa Bazos

17th Century Enthusiast

Painted Eloquence

An art history blog